Xin ti`m no+i dda^y danh sa'ch tuye^?n cho.n nhu+~ng nha.c si~ va` da^n to^.c nha.c ho.c gia o+? Vie^.t Nam hay ha?i ngoa.i . Tie^?u su+? va` sinh hoa.t a^m nha.c cu?a mo^~i ngu+o+`i co' the^? ti`m tha^'y tre^n trang nha cu?a ho.
Please find herewith some of famous Vietnamese musicians and ethnomusicologists in Vietnam and abroad . Each one is presented with a short bio . Their bio and activities can be found on their homepages respectively .
Veuillez trouver ci-joint quelques musiciens et ethnomusicologues vietnamiens qui vivent au Viet Nam ou à l'étranger. Leur bio et leurs activités peuvent être lus sur leurs sites .
Xin ti`m no+i dda^y danh sa'ch tuye^?n cho.n nhu+~ng nha.c si~ va` da^n to^.c nha.c ho.c gia o+? Vie^.t Nam hay ha?i ngoa.i . Tie^?u su+? va` sinh hoa.t a^m nha.c cu?a mo^~i ngu+o+`i co' the^? ti`m tha^'y tre^n trang nha cu?a ho.
LISTING OF VIETNAMESE MUSICIANS AND RESEARCHERS IN VIET NAM AND ABROAD PRATISING TRADITIONAL VIETNAMESE MUSIC
Prof. TRAN VAN KHE
Professor Tran Van Khe is one of the greatest masters of the traditional Vietnamese music. Born into a family with four generations of musicians, he was taught the musical tradition of the family by his paternal aunt Tran Ngoc Vien and his maternal uncle Nguyen Tri Khuong, having lost his parents at a very early age. Professor Tran Van Khe is a Doctor in Musicology; he carried out research at the Centre National de la Recherche Scientifique (C.N.R.S.), has been a teacher at Paris-Sorbonne University, and is Honorary Member of the Conseil international de la musique (Unesco). His scientific research along with his activity in traditional music (participation in numerous festivals, several recordings edited with Ocora, l'Unesco and A.C.C.T.) have led to his receiving many distinctions and prizes from prestigious universities, academies and international institutions. He is able to play many Vietnamese instruments: dan kim or dan nguyet (moon-shaped lute), dan tranh (sixteen stringed zither), dan co or dan nhi (two-stringed fiddle), dan ty ba (pear-shaped, four stringed lute) and the trong nhac, ceremonial drum. He knows how to recite poems and sing in traditional styles of the North and the South.
Professor Tran's expertise includes all Asian music, particularly Indian, Persian, Chinese, Japanese and Arabic musical traditions. Having lived in Paris for about 50 years, and traveled world wide, lecturing and performing, he has played key role in introducing Asian music into the western world. In the past 50 years, He has produced a number of Ph. D.'s and tought several thousands of students all over the world.
Website in English and French
Prof. NGUYEN VINH BAO
Ninety-year-old Professor Nguyen Vinh Bao is widely admired not only for his scholarship in Vietnamese folk music but also his skill at using the computer as a teaching aid.
Bao, who lives and works in Ho Chi Minh City, has been known for years as a keen amateur music teacher. Now, he has added another feather to his cap by learning how to use the internet at 90, and using this skill to teach his music to people around the world.
On his desktop are symbols of musical software like Quickcame pro-5000, not something one would associate with nonagenarians.
Bao gives lessons via the internet: he plays a musical instrument and his students watch him through a webcam.
Bao is famous for creating a musical notation specific to folk music.
"This notation system can help foreigners easily understand traditional music," he points out.
His students register to learn different instruments including the nhi (two-stringed fiddle), tranh (16-stringed zither), kim or nguyet (moon-shaped lute), guitar, and violin.
"Teaching and learning as an amateur is not like other genres. It requires no systematic learning or textbooks. Both teachers and learners depend mainly on inspiration," he says.
One of Bao’s students built a website for him at www.Vinhbaotheonly 1.net.
Learning the computer
The story behind his learning to use the computer at such an advanced age is an interesting one. "Three years ago, my daughter bought a computer. An idea flashed in my mind. I thought I must learn to use the computer for transmitting my knowledge," he recalls.
But it was not easy for him to learn because it was hard to find a teacher. "My family asked five people to teach me but four of them refused upon meeting me," Bao says.
"Perhaps, they thought that I was too old to learn.
"I finally found a teacher – a person young enough to be my grandchild.
"Thanks to this young teacher, I made my first acquaintance with the CPU, mouse, email, website, and ADSL."
However, this arrangement only lasted 15 days because of certain reasons.
"Subsequently, I had many amateur teachers, all children from my neighbourhood. But they were ready to teach me all the ‘computer techniques’ they knew."
Bao took notes carefully while his proficiency in both English and French came in very useful. Before long, he was an expert in using a computer.
Bao began playing folk music instruments at the age of five. By the time he was 10, he could himself make some of them. Because of his clear understanding of music and the nature of wood, he managed to turn the ancient 16-chord zither into the current 21-chord instrument, enhancing its melody.
Among Viet Nam’s amateur musicians, Bao holds some kind of record for having the most number of teachers: he had more than 200 from whom he absorbed their specialities.
In his case, too many cooks did not spoil the broth; they merely added more strings to his bow. — VNS
Dan Tranh - Vinh Bao was formed in 2004 by a group of students of Professor Vinh Bao. Dan Tranh - Vinh Bao's mission is to preserve, develop and promote Vietnamese Traditional Music, especially Tradition of the South (Nhac Tai Tu Nam Bo), for people who love traditional music, and also building a bridge between Professor Vinh Bao's students in many different states in US.
To fulfill its purpose, Dan Tranh - Vinh Bao participates in activites like:
* introducing and performing traditional music to schools and universities in US
* broadcasting traditional music shows on the TV and Radio Stations in US (wherever it's possible)
* opening classes for dan tranh with the method and music lessons of Professor Vinh Bao
* posting valuable articles about famous artists, famous events about Tradition of the South (Nhac Tai Tu Nam Bo)
* distributing free traditional music sheets for music lovers
* posting clip of educational music lessons that were taught and explained by Professor Vinh Bao
Website in English and Vietnamese
TRAN QUANG HAI
Tran Quang Hai was born on May 13, 1944 in the country of Vietnam. He is a talented and renowned musician who comes from a family of five generations of musicians. He studied at the Natoinal Conservatory of Music in Saigon before moving in 1961 to France, where he studied the theory and practice of Oriental music with his father Professor Dr. Tran Van Khe, at the Center of Studies for Oriental Music in Paris. For several years, Tran Quang Hai also attended seminars on ethnomusicology at the School of High Studies for Social Sciences, and received Master of Arts and Ph.D. degrees. Since 1966, he has given over 3,000 concerts in 70 countries, and has taken part in approximately one hundred and thirty international traditional music festivals, as well as in radio and television broadcasts in Europe, America, Asia, Africa and Australia. He has been working for the National Center for Scientific Research in France since 1968, and is now attached to the Department of Ethnomusicology of the Musee de l'Homme. Also, from 1988 to 1995 he was a Lecturer on Southeast Asian music at the University of Paris X-Nanterre. He has been a guest lecturer of over one hundred Universities in the world.
Apart from his artistic activities, he is also interested in musical research. He has improved the technique of spoon playing and of the Jew's harp. In 1970, he found by himself the key to the technique of overtone singing and has become the world famous expert of this peculiar split-tone singing khoomei well known in Tuva and Mongolia. During 1990 and 1991, he won four awards at the International Scientific Film Festivals in Estonia, France and Canada for his film "Le Chant des Harmoniques" (The Song of Harmonics) directed by Hugo Zemp. He is the co-author, actor and music composer of this film. He has written numerous articles on Vietnamese ans Asian music (New Grove Dictionary, Encyclopedia Universalis), and has also recorded 15 LPs 8 CDs, 4 video films, and 4 DVD. He composed more than four hundred pop songs, and musical pieces for 16 stringes zither dan tranh, monochord dan dôc huyên, Jew's harp and overtone singing.
As a distinguished figure in his musical field, Tran Quang Hai has garnered more than 20 prizes and international awards. He has received a Gold Medal for music from the Asian Cultural Academy, and honorary doctorates from the International University Foundation and the Albert Einstein International Academy. He works with his wife, Bach Yen, who is a great Vietnamese pop and folk singer. Additionally, he was nominated President of the Jury of the Khoomei Throat Singing Festival in Kyzyl (Tuva) in 1995. He obtained the Cristal Medal of the National Center for Scientific Research in France in 1996, the Medal of Honor of the Limeil Brevannes city in France in 1998, and the Special Prize of the Jew's Harp World Festival in Molln (Austria) in 1998.. In addition, he was the Honorary President of the Festival d'Auch "Eclats des Voix" in France in 1999, and of the Voice Music Festival of Perouges "Au Fil de la Voix" in France in 2000. His biography has been published in 30 Who's Who reference books since 1979. . In 2002, he was decerned the title Chevalier de la Legion d’Honneur in France.
He participated in the Jew’s Harp Festival in Molln (in 1998 and 2000), in Rauland – Norway (in 2002), in Amsterdam -the Netherlands . He is the founding member of the International Jew’s Harp Society . In 2005, he was elected as member of the Executive Board of the ICTM (Internatioanl Council for Traditional Music).
To date, Dr. Tran Quang Hai is the only Vietnamese to have taken part as a performer or composer in such great historical events as Australia's Bicentenary celebration in 1988, the Bicenterary of the French Revolution in Paris in 1989, the 700th Anniversary of the Discovery of America in 1992, 600 Years of Seoul-Korea in 1994, the Julilee of the King of Thailand in 1996, 1,000 Years of Trondheim in Norway in 1997, the 100th Anniversary of the Phonogramm Archiv of Berlin in Germany in 2000, and the Centenary of Independance of Norway in 2005.
Site in 3 languages (English/French/Viet)
Quynh Hanh, musicienne vietnamienne, doctorante en musicologie de l’université de Paris IV – Sorbonne, Paris, professeur de la Musique Traditionnelle Vietnamienne au Conservatoire du Viet nam. Médaille d'Or de la Musique Vietnamienne, membre de la SFE (Société Française d'Ethnomusicologie) de Paris, membre de l'ICTM (International Council for Traditional Music), est une artiste accomplie. Elle joue des instruments suivants : cithare à 16 cordes dàn tranh, monocorde dàn bâu, bambouphone dàn trung . Elle a fondé son école de musique traditionnelle vietnamienne à Paris . Site en Français seulement
Figure de proue des mouvements de retour aux sources (Du Ca, Hoa Sim ...), après son retour de la tournée en Europe, Phuong Oanh fonda L'Ecole de Musique Traditionnelle Vietnamienne Phuong Ca en 1970 à Saigon.
Elle était à l'époque déjà, l'un des rares professeurs de musique traditionnelle au Conservatoire National Supérieur de Saigon (1964-1975).
Spécialiste de la musique dite de Hué, Phuong Oanh a collaboré avec les principaux organismes culturels de l'époque : radio, télévision.
C'est avec les compositeurs Pham Duy, Nguyen Duc Quang, que Phuong Oanh a introduit la musique dite populaire dans les écoles, les universités. Recréé en Europe en 1976, par ses méthodes de travail, ses idées, Phuong Ca Dân Ca Quoc Nhac a rencontré un vif succès auprès des jeunes universitaires.
L'école est présente actuellement dans 8 pays, collaborant avec divers organismes : association, conservatoire, école de musique, université...
En 1988, Phuong Oanh reçut la Médaille d'or de 1'Académie Culturelle de 1'Asie pour ses travaux sur la musique Vietnamienne. En 1994, elle reçoit la médaille du mérite pour ses travaux pour la musique traditionnelle pour les jeunes donc publication au journal officiel du Congrès Américain.
En 35 ans l'ensemble instrumental de l'école sous la direction de Phuong Oanh s'est produite aux quatre coins du monde lors des plus grandes manifestations culturelles de la communauté aux quatre coins du monde : VATICAN, le Musée de Boston, Centre-Afrique, Nouvelle-Orléans ...
Phuong Ca Dan Ca Quoc Nhac est le seul organisme non gouvernemental à présenter des candidats aux différents examens d'Etat en France.
Ecole de Musique Traditionnelle Vietnamienne dirigée par Phuong Oanh, professeur de cithare à 16 cordes dàn tranh.
"Phuong Ca Dan Ca Quoc Nhac" depuis 1969 - "Mot Truyen Thong Dang Duoc Tiep Noi"
Siège Social 28 ter rue des Mallets 95150 Taverny FRANCE - permanence lundi et jeudi
Siège d'exploitation : 53 rue Nationale Paris 13ème - permanence mardi et samedi
Tél: 33 (0)1 39 95 28 53 Fax: 33 (0)1 34 18 11 15 Email: firstname.lastname@example.org Websites http://www.phuongca.org/, www.dan-tranh.fr
Site en français seulement
PHAM THUY HOAN
Tieng Hat Que Huong was founded in 1981 by Pham Thuy Hoan, a professor from the Vietnamese National Conservatory in Saigon. Starting from primary school Trieu Thi Trinh Dist. 10 in Saigon, Tieng Hat Que Huong's mission is to preserve, develop and promote Vietnamese Traditional Music for people who love traditional music and also building a bridge between the old and the new artists.
Prof.Tran Van Khe and Hai Phuong To fulfill its purpose, Tieng Hat Que Huong participates in activites like:
* performing traditional songs, dances and music
* broadcasting traditional music shows on the TV and Radio Stations of Vietnam
* introducing folk songs and traditional musical instruments to schools and universities
* opening classes for dan tranh (the Vietnamese 16-stringed zither), dan bau (the monochord), dan nguyet (the moon-shaped lute), dan nhi (the 2-stringed fiddle), sao truc (the bamboo flute), folk song-learning classes every sunday morning at the City Labor Cultural Palace (55B Nguyen Thi Minh Khai, HCMC).
Site in 2 languages (English / Viet)
KHAC CHI & NGOC BICH
The Khac Chi - Sounds of Vietnam features two of Vietnam's premiere musicians, performing exquisite music on rare and unique instruments native to Vietnam. These virtuoso artists offer an intriguing glimpse into the rich musical tradition of Vietnam and its 4000-year history.
Famous for their musical skills innovation throughout Vietnam, the Khac Chi takes you on an adventure in sound. Extremely versatile, their concerts may include a combination of styles or feature any one style of Vietnamese traditional music, Vietnamese folk music or contemporary music to world music. They are as equally comfortable performing solo chamber concerts, as they are on folk festival stages, or as guest soloists for symphony orchestras.
Their rare talents and superb musicianship have won them numerous awards for excellence, as well as many invitations for international appearances.
3 languages (English / French/ Viet)
DUC THANH & NGUYET LAN
Pham Duc Thanh is a world-renowned musician known for his masterful ability on the Vietnamese one-stringed instrument (Dan Bau). He was born in 1958 in Ninh Binh , Vietnam . His talent was fully apparent from his youth: he was adept at the Chèo drumming style at age 4, he learned the mandolin at age 5, and he had begun playing Dan Bau (monochord) and Dan Nhi (2-string fiddle) at the age of 5. In 1974, Duc-Thanh left Hanoi to join the largest Cheo opera troupe in Vietnam and officially became a professional Dan Bau performer.
At the end of 1978 he was the only Dan Bau musician of the Cheo opera stage to attend the national Dan Bau competition of Vietnam in Hanoi ; soon after, he went to Saigon to study further the music of central and southern Vietnam . In October of 1983, he graduated with top honors from the Center for Musical Research of Vietnam. It was here that he became recognized as one of the rising musicians on Dan Bau in traditional as well as modern music.
He and his family moved to Canada in 1996. Today, he is an adored performer in Montreal . Beyond the traditional music of Vietnam , he has used the Dan Bau to integrate seamlessly with the sounds and rhythms of various ethnic sounds from around the world, following in the words of the poet Van Tien Le:
One string with all words light and heavy
Half a gourd containing a world of sound
website in 3 languages (English / French / Viet)
NGUYEN THUYET PHONG
Nguyet thuyêt Phong is a famous Vietnamese musician, ethnomusicologist, living in the Unites States . You can read his biography and his activities on his website in English .
LE TUAN HUNG & DANG KIM HIEN
Le Tuan Hung is a composer, performer and musicologist, specialising in Vietnamese music, cross-cultural music and experimental music. He is a multi-instrumentalist with a strong background in Vietnamese traditional music and Western classical music. He has performed widely in Asia, Australia, Europe, America and Oceania. His compositions have been created for a wide range of instruments, ensembles and media. His compositions and performances have been released by Move Records, NMA, ABC Music and Australian Sound Heritage Association. He is also the author of various publications on Vietnamese performing arts and is regarded as an expert in Vietnamese musicology. Apart from being trained as a traditional musician in the Vietnamese tradition, he also had a Bachelor of Music from the University of Melbourne and a PhD in Music from Monash University.
Dang Kim Hien is a composer, performer and educator. She is a vocalist and multi-instrumentalist, specialising in Vietnamese strings and percussion. She holds many national awards from Vietnam, including a National Gold Medal for Excellence in Vietnamese Zither Performance and a National Award for Traditional Vocal Performance. She taught at the Department of Traditional Music of the Conservatory of Music in Saigon (Vietnam) between 1980 and 1994. Since migrating to Australia in late 1994, she has been active in performing Vietnamese music and creating cross-cultural music. She has collaborated with Australian composers and performers in creating various cross-cultural works. She has performed extensively to present her original works on international platforms. Her compositions and performances have been released on Move Records.
Site in 2 languages (English / Viet)http://home.vicnet.net.au/~aaf/aboutus.htm
Châu Nguyên, Mai Nguyên, Luu Hông
|Professor Chau Nguyen studied music at the National conservatory of Music in Saigon, where he studied traditional musical instrument, harmony, and |
|Professor Mai Nguyen is one of the founders and directors of the Lac Hong Performing Arts Group. Mrs. Mai Nguyen has an impressive musical background. She graduated in 1960 from the National Conservatory of Music in Saigon, where she specialized in the 16-string and pedagogy of music. She taught at the National Conservatory of Music in Saigon, the School of Theater Performing Arts and Gia Long High School until she escaped from Vietnam in 1977.|
Mrs. Nguyen continued her teaching career after relocating to Houston. She founded the Hoa Sim Group which participated in many festivals in the Vietnamese community and was involved with Voice of Freedom Radio. After moving to Orange County, Mrs. Nguyen continued to teach and formed a new Hoa Sim Group which later became the Lac Hong Performing Arts Group.
|Dance Master Luu Hong is from a family of dancing traditions. In his childhood, he learned tap dance and together with his brothers and sisters, established a family dance group and performed at dancing clubs in Vietnam. This dance group traveled far and wide and performed at theaters from Saigon to Hanoi with famous singers, actors, and actresses. |
|In 1944, King Bao Dai, the last king of the Nguyen Dynasty, invited Dance Master Luu Hong and his family dance group to perform at the Imperial Court. After 1955, Dance Master Luu Hong and his dance group performed many shows all over South Vietnam. In 1964, Master Luu Hong and Dance Master Luu Binh established the Moulin Rouge Dance Group which later became the Luu Binh Hong Dance Group. This dance group represented Vietnam|
to participate in the Dance Festival in Singapore among other Asian dance groups. In 1967, Dance Master Luu Hong was one of the founders of the Maxim Dance Group, a famous group well admired by public in Saigon. At that time, Master Luu Hong was designated to lead the Vietnamese dance group to perform at international festivals in Hong Kong, Japan, France, Morocco, England, South Africa, etc. In 1975, Master Luu Hong left Vietnam and settled in Japan, and later in USA. Since then, Master Luu Hong has participated in many musical shows overseas, trained young generations of dancers, and has been a choreographer for many shows for video tapes. Master Luu Hong has given much of his time and talent in training and guiding the Lam Ty Ni and Long Hoa dance groups.
Vu Hong Thinh
Vu Hong Thinh is an ethnomusicologist. Vu Hong Thinh began to study music at the age of ten and has since devoted his life to music and dan tranh. He graduated with distinction from the National Conservatory of Music in Hanoi, Vietnam, where he remained as a music professor for many years. He has performed in many countries, for major Vietnamese Music Concerts and Fund Raising efforts. Besides dan tranh, Thinh also performs on a variety of other traditional instruments such as the monochord (bau), the 36-string hammered dulcimer (dan tam thap luc), the bamboo xylophone (dan t'rung), the k'longput, and traditional drum (trong). He has been featured in live televised concerts and broadcast recordings. Most recently he recorded and released his own CD "Nguyet Cam" as "The Art of Moon-Shaped Lute." As a well-known expert in traditional Vietnamese music, he teaches dan tranh and other Vietnamese instruments throughout Northern California. He enjoys the opportunity to collaborate with other artists, such as Nguyen Dance Company, focused on sharing Vietnamese heritage with the community.
Below are some of his published research works:
* Special Research on the Moon-Shaped Lute
* The Gong Ensembles of the Xtieng Ethnic Group
* The Scales and Modes Issues of Different Ethnic Groups in South Vietnam
* The Ceremony Music & "Amateur Music" of South Vietnam
* Document Film: The Precious Gem of the Jungle
Other musicians are mentioned here. Their bio will be found soon and will be surely put here.
Kim Uyen - Toronto, Canada
Hai Yen Nguyen - Houston, TX, USA
Vo Van Anh - San Francisco, USA
Viêt Hai , Seattle, USA
The listing must be longer . Anyone who knows other Vietnamese musicians or researchers can send me their websites, emails and bios. Thank you in advance
Tran Quang Hai